i Union-News, Friday, January 15, 1999 C5 'First Sight' Flood of tears turns into trickle of titters titters even the nature of handicaps), the film settles for manufactured melodrama. Instead of real characters, it provides bravely suffering martyrs. It's like an old Joan Crawford movie only in this case, both stars want to be Crawford. "So this is what beautiful looks like," Kilmer says at his first sight of Sorvino's winsome, Daisy Duck pout. No, fella.
This i is what schmaltz looks like. And you're drowning in it. Kilmer and Sorvino wrestle back "At First Sight" after a couple of scenes, and their teary story goes on. And on. But unfortunately director Winkler's point-andshoot style remains stubbornly unsuited to a film about the amazing power of imagery.
And although Kelly McGillis is very good as Kilmer's bitter, self-sacrificing sister, the other stars aren't much help at all. 1. Oh, Sorvino has a goofy scene at the end of the picture where she shows Kilmer what different facial expressions mean (Best one: jubilation). But she spends the rest of the movie wearing a single look: her basic good-kid, shy-smile face. And while Kilmer is a wickedly apt choice to play a blind man (he's never seemed to notice any of his co-stars on-screen, let alone make eye contact), there's not much he.can do with a character whose two moods are cheerful and petulant.
There's potential here, but it's never explored. Instead of really examining the nature of seeing (or 'Dreams': Serial killer on loose Continued from Page C3 old serial-killer plot, a "Halloween" sequel dressed up with some Psychic Friends gimmickry. Jordan has always been a filmmaker with literary instincts, but one who is smart enough to surround himself with visual collaborators. That strategy helps him a little here. Director of photography Darius Khondji gives Cooper's dreams a grainy, washed horror; production designer Nigel Phelps makes those horrors real with elegantly decaying buildings, strangely sinister apple orchards and, best of all, an entirely modern Atlantis.
Unfortunately Jordan's direction (and the screenplay he cowrote with Bruce Robinson) can't turn any of those images into metaphors. The underwater city, By STEPHEN WHITTY MOVIE REVIEW Newhouse News Service In Dr. Oliver Sacks' article "To See and Not See," the hero was an overweight 50ish man who gave rubdowns at an Oklahoma Y. In Irwin Winkler's movie adaptation, "At First Sight," the hero is Val Kilmer, who works as a masseur at a posh New York spa. Such is Hollywood.
The one thing left unchanged by scriptwriter Steve Levitt, though, is the story's real-life Smart move because Hollywood hasn't had one like it since "Charly." Just like that weepy drama, "At First Sight" is the story of a man suddenly struggling with a new gift in this case, the eyesight he hasn't had since childhood. And just like that old movie, "At First Sight" looks for some unusual drama in the situation of a man suddenly blessed (and cursed) with new vision. But "At First Sight" is wearing dark glasses of its own deep, murky, rose-tinted Hollywood spectacles. And all it does is keep bumping into the furniture. There are so many unintended giggles, it may be difficult for badmovie novices to 1 pick out the biggest.
Is it when Mira Sorvino has her first massage at Kilmer's expert hands and races from sighs to groans to grateful tears faster than a Ferrari speedometer? Or is it when Kilmer, taken to a large co*cktail party, has a mini breakdown after they start spinning a mirrored ball and playing the Village People? 'At First Sight' Rated PG-13: Discreet sex, brief nudity and a few rude words Running time: 128 minutes Now playing: Hoyts Enfield, Greenfield Cinemas and Showcase Cinemas in East Windsor and West Springfield The true low point, however, comes shortly after Kilmer's sightgiving operation. The surgery has been a success, but the patient's having a breakdown; Kilmer can see, all right, but the images are so confusing that he'd rather be blind. Obviously, he needs help. "There's a fellow named Phil Webster," Kilmer's surgeon says, hesitantly recommending a specialist. "He's a little unorthodox Oh no! Unorthodox medico! Life-affirming pep talks! It's the dreaded 1 Robin Williams part! "At First Sight," however, doesn't have a Robin Williams budget.
So in handsprings Williams' "Birdcage" co-star, Nathan Lane were expecting Anne as a "vision therapist" whose treatment seems to consist of taking Kilmer to strip clubs and delivering ba-dah-boom punch lines in limbo. like New And suddenly what had been a weepie romance about a cute blind guy turns into "Eyepatch in the end, doesn't stand for anything; the link between the heroine's dreams and the killer's fantasies isn't just artsy but arbitrary. If Jordan gives the film any personal stamp at all, it's one of bitter pessimism; the movie is absolutely single-minded about taking every. dark turn and eschewing every possible happy ending it can find. The gruesomeness is depressingly over the top (this is the sort of movie in which nice characters aren't just killed, they're devoured by the starving family dog).
It's also wildly out of place in what's nothing more than a slick, standard thriller. Also out of place is the wildeyed guest star who plays the serial killer. Since the movie doesn't show his face until the final scenes, I assume they think his identity is some sort of surprise that shouldn't be spoiled. "In Dreams" has too few surprises for me to take that one away. But let me say that the actor who plays along in this guessing game is pretty bad (and, rather depressingly, plays the killer as that old hom*ophobic bogeyman, the "nancy boy And let me also note that Stephen Rea is more brave than successful in playing an East Coast Jewish shrink, and that Aidan Quinn's agent.
must find all his roles the "Thankless Hunk" pile. But Bening is tremendous, just as she was in "The Siege" and "Richard III" before that. Give her a few more roles and she might just be one of America's best actresses. So if she's so good, why isn't she doing better stuff than "In That's the real mystery here and one I wish someone would answer soon. Movie: It's all just make believe Continued from Page C3 night that Bening screams for her daughter when she realizes she's been abducted after the play.
Paquin said with all the police cars, the darkness and the fog created for the scene, Bethany who was 6 at the time was scared until Maureen reassured her it was all make believe. When Maureen finally saw her daughter on screen, she gasped and pointed "There she is. Oh my When Iwona Z. Langlois saw her daughter, Kathleen, on the screen, she screamed. Langlois couldn't help it.
Seeing her daughter who was playing Snow White "was marvelous. That was my daughter. I didn't expect to see her. It was wonderful." Kristin Sroka played the wicked stepmother and got to say "mirror mirror on the wall, who's the fairest of them all." "It was so exciting," said her mother Donna A. Sroka after the movie ended.
Donna's husband Gary R. Sroka was also at the screening and he had a part as an extra, playing a policeman searching for Bening's daughter. He thinks he saw his flashlight in the film. The Sroka's also had nieces and nephews involved with the film. "It was a family affair," Donna Sroka And while not getting to the advance screening others involved will be gathering with friends, relatives and fellow extras today in the area theaters showing it.
Kevin T. Cochran and his wife Katherine Pohner-Cochran, who together own Fancy That in Springfield will be there not to see friends or relatives but the ot-: toman, and overstuffed chair, the tables, china, dishes and other items their store provided for various sets. A film company worker stopped at their antiques and collectibles Susan G. Leech of Northampton was dressed up as a bridesmaid, had her hair and makeup done to be in a photo of the bridal party from Bening and Aidan Quinn's wedding only to have the whole shoot scrapped and a new wedding party shot the next day. store just about every day for two weeks during the summer of filming, Kevin Cochran said, and spent thousands of dollars.
Kathleen L. Richards of Northampton will be on the lookout for her white 1971 Karmann Ghia as well as herself. F. The car, she said, "is part of me" and she antagonized the crew "like a stagemother" to get it in. She was an extra, playing a member of the audience watching "Snow White" and then later she searched for Bening's daughter.
Susan G. Leech of Northampton was dressed up as a bridesmaid, had her hair and makeup done to be in a photo of the bridal party from Bening and Aidan Quinn's wedding only to have the whole shoot scrapped and a new wedding party shot the next day. She couldn't make second shoot. Then she was part of the wedding picnic scene, tossing a football around, again only to be included in a photo. She's not sure if the photo will be used, but she plans to be there today just the same.
She enjoyed the film-making process. "It was a nice deal. They fed us," said Leech who's the social services coordinator for the Salvation Army in Northampton. "It was a nice break." Her work "involves people who have nothing or next to nothing. When I get to take a look 'at the Hollywood movie C5 Line: Continued from Page Powerful soldier study C3 Ryan's soldiers bickered, fell out, cultivated of stubble, helmet shadow and tropical shrubbery.
I wish the same could be said for the film's handsome but sometimes indistinguishable young newcomers. It's not just the swiftly paced and varied drama, the provocative ideas and the stinging hand-tohand combats that pay off. Malick's camera is never more eloquent than when it takes drifting note of some marvelous insect or voluptuous spill of light. A thesis could be written on his water imagery. These beautifiers evoke the Eden forsaken by small-minded man.
As John Savage's hot wired Sgt. McCron snaps about their hallowed goals: "It's property. Just property." "Ryan" was gritty, historical and humanist. "Line," directly descended from Malick's "Badlands" and "Days of Heaven," is literary, aloof and finally quasi-religious. "Ryan" questioned loyalty and Academy of Music, Northampton (584-8435) Shakespeare in Love 7, 9:20 Agawam Family Cinemas (786- 8800) Star Trek: Insurrection 7:20, 9:30 Jack Frost 7:30 The Waterboy 9:30 Amherst Cinema (253-5426) Celebrity 7 Casino, Ware (967-7977) Patch Adams 7, 9:25 Varsity Blues 7:10, 9:30 Hoyts Enfield 12 (860-253-9201) The Thin Red Line 12, 3:30, 7, 10:30 At First Sight 12:30, 3:45, 6:40, 9:35 In Dreams 12:25, 2:40, 5, 7:30, 9:50, .12 Varsity Blues 1:45, 4:20, 7:15, 9:45, 12:05 Virus 12:35, 2:50, 5:10, 7:40, 10, 12:10 A Civil Action 1:30, 4:10, 7:25, 9, 10:05, 11:20 Waking Ned Devine 6:55, 9:10, 11:30 Patch Adams 12:45, 3:30, 6:45, 9:40, 12:15.
Mighty Joe Young 12:50, 3:25, 6:30 Step Mom 1:15, 4, 7:10, 9:55 The Faculty 9:25, 11:35 You've Got Mail 1, 3:40, 6:50, 9:30, 11:55 The Prince of Egypt 12:05, 2:20, 4:30 A Bug's Life 12:15, 2:30, 4:45, 7:05 Garden Cinema, Greenfield (774- 4881) The Rugrats Movie 7, 9 Prince of Egypt 7, 9 Varsity Blues 7,9 Star Trek: Insurrection 7, 9 Psycho 7,9 There's Something About Mary 6:45, 9 Pleasantville 6:45, 9 Greenfield Cinemas (772-0298) In Dreams 7, 9:25 A Civil Action 6:50, 9:20 Patch Adams 6:40, 9:20 You've Got Mail 6:45, 9:15 Virus 6:55, 9:30 At First Sight 6:30, 9:15 Mountain Farms Mall (584-9153) You've Got Mail 4:45 A Civil Action 5, 8, 10:40 The Thin Red Line 4, 7:30, 10:55 StepMom 7:45, 10:30 A Bug's Life 5:15 Patch Adams 8:15, 10:50 Pleasant Street, Northampton (586- 0935) Life is Beautiful 4:45, 7, 9:15 Celebration 4:45, 6:45, 8:45 Rivoli Theatre, Chicopee (592-0967) Star Trek: Insurrection 7, 9 Showcase Cinemas, East Windsor, Conn. (860-623-3545) A Civil Action 1:15, 4:15, 7:20, 9:55, 12:20 You've Got Mail 12:40, 4, 7, 9:40, 12:05 StepMom 12:30, 3:30, 6:50, 9:35, 12:10 Mighty Joe Young 1, 3:30, 6:45, 9:15, 11:40 At First Sight 1, 4, 7, 9:45, 12:20 In Dreams 12:40, 3, 5:20, 7:50, 10:10, 12.25 Virus 12:45, 3, 5:15, 7:40, 10, 12:15 Varsity Blues 12:30, 2:50, 5:10, 7:45, 10:15, 12:30 and 1:30, 4:15, 7:15, 9:45, 12 The Prince of Egypt 12:50, 3:10, 5:25, 7:40, 9:55 The Faculty 12:05 a.m. A Bug's Life 12, 2:20, 4:40, 7 Star Trek: Insurrection 9:20, 11:45 Patch Adams 1:15, 4, 7:30, 10:05, ORIGINAL BIGGER coganfairs.com SAME DISCOUNT TICKET BY COGAN FAIRS 10:00 AM 4:00 PM Buy at wholesale prices right at the show from upto 60 companies featuring the compatible market. From full systems to libraries of CDs, it's all here. Adm $7 ea, with ad $5 each.
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The more metaphysical "Line" searches for the unifying links between all souls, including Japanese ones. sacrifice. "Line" questions evil and innocence. Spielberg showed war's imprint on ruined French monuments. Malick contrasts his most ferocious bloodlettings with timelessly beautiful Pacific Island landscapes.
An elderly native calmly passes the burdened-down GIs as they tramp toward slaughter. Ravishing early scenes establish a dream world of beauty and peace. Ryan's soldiers bickered, fell out, cultivated their eccentricities. The more metaphysical "Line" searches for the unifying links between all souls, including Japanese ones. A vision of humanity's "oneness" is hauntingly conveyed by overlapping voice-overs and blips of overheard thought.
Voices of the enemy and of the dead are Screen times 12:30 Showcase Cinemas, West Springfield (733-5131) You've Got Mail 1:10, 4:10, 7:10, 9:45, 12:05 Virus 12:45, 3, 5:15, 7:40, 10, 12:10 Varsity Blues 1:30, 4:20, 7:15, 9:45, 12 and 12:30, 2:50, 5:10, 7:45, 10:15, 12:30 The Thin Red Line 12:30, 3:45, 7:10, 10:25 Step Mom 12:55, 3:50, 7, 9:45, 12:15 Shakespeare In Love 12:50, 3:50, 7:25, 10, 12:20 The Rugrats Movie 12:40, 2:55 Patch Adams 12:35, 3:30, 7:05, 9:35, 11:55 Mighty Joe Young 1:15, 4:15, 7:20, 9:55, 12:15 In Dreams 12:50, 3:10, 5:20, 7:35, 9:50, 12:05 The Faculty 5, 7:25, 9:40, 11:50 Enemy of the State 9:15, 11:50 A Civil Action 1:15, 4:15, 7:20, 9:55, 12:20 A Bug's Life 12:30, 2:40, 4:50, 7 At First Sight 1:05, 4, 7, 9:40, 12:15 Springfield Cinemas (782-1000) Antz 1:20, 3:10, 5, 7,9 The Waterboy 1, 2:55, 4:50, 7:10, 9:15 Rush Hour 1:45, 3:40, 5:40, 7:40, 9:50 Down in the Delta 1:05, 3:15, 5:30, 7:50, 9:55 Psycho 1:30, 3:35, 5:45, 7:45, 10 SPRINGFIELD ALL SEATS ALL SHOWS $4.00 1060 WILBRAHAM ROAD LAT CORNER OF BRECK WOOD BLYD 24 HOUR PHONE: (413) 782-1000 I STILL KNOW WHAT YOU DID LAST SUMMER WATER BOY PG 13 PSYCHO JERRY SPRINGER: RINGMASTER JACK FROST PG PRINCE OF EGYPT PG BABE: PIG IN THE CITY DOWN IN THE DELTA PG 13 THE SIEGE STAR TREK: INSURRECTION PG THE WIZARD OF OZ ANTZ PG RUSH HOUR PG13 SOMETHING ABOUT MARY CALL THEATRE FOR SHOW TIMES included in the chorus. If "Line" ultimately appears less seamless than "Ryan," it may be that the self-made Spielberg identifies with the common man more naturally than Harvard philosophy graduate Malick. "Line's" tragic, contemplative mood sits a bit pretentiously on its ragtag draftee Yanks. While celebrating the lowly, the film radiates a lofty and even elitist air. It's unsurprising that its most sympathetic and thoughtful Pvt.
Witt is an educated former officer. No matter. World War I bard Wilfrid Owen wrote, "The poetry is in the pity." Malick's enveloping, anti-epic mourns the spirits betrayed and paradise lost. Star Trek: Insurrection 1:05, 3:20, 5:35, 7:45, 9:55 There's Something About Mary 1:40, 4, 7:05,9:35 Babe: Pig in the City 1:10, 3:05, 5:05 Jerry Springer: Ringmaster 7:30, 9:35 1 Still Know What You Did Last Summer. 1:20, 3:30, 5:40, 7:50, 10 Wizard of Oz 1:25, 3:30, 5:35 The Siege 7:40, 9:50 The Prince of Egypt 1:15, 3:20, 5:25, 7:25, 9:25 Jack Frost 1:25, 3:25, 5:30, 7:35, 9:40 Tower Theaters, South Hadley (533- FILM) Patch Adams 1:30, 4, 6:30, 9 A Civil Action 2, 4:30, 7, 9:30 Village Cinema, Suffield, Conn.
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